It’s a bit of a shock to file away everything that happened this past year into memories. But it’s official, 2010 is dead. Truly life is zooming out and 2010 showed me over and over just how small my position in the grand spectacle we call reality. This past year I made the move from the West Coast to NYC and was fortunate to get to do quite a bit of traveling: Los Angeles, Austin, New Orleans, San Francisco, Baltimore, Philadelphia, Paris, Woodstock, and ended it in Miami partying with all the legendary Club Kids at Susanne Bartsch’s extraordinary NYE extravaganza.
My year began focused on getting my play “Life on Mars: The James Bidgood Story” off the ground, but after I showed it at Poet’s Theater in SF last February, my life came apart in Los Angeles and I had to hit the road toward uncertainty. Looking back on the year, I’m able to see all the beautiful times that sprouted in a year that was heavily coated with pain, sorrow, loss and heartache. Unfortunately my anxiety level was at an all time high all year long, and looking back I’m acutely aware that I never seemed to fully be present, I was constantly worried about what was going to happen next and afraid my life would again come undone. It’s impossible to live fixated on worry or anxiety or whatever… So for 2011 I want to try to give up worrying about tomorrow, embrace the present and spray paint my visions gold.
2010 really proved individuals must accept change and be able to adapt to the changes life constantly evolves toward. 21st Century literacy is no longer limited to the ability to read and write. Now the literate person must also be able to adapt and constantly be able to learn and unlearn in order to relearn. Unlearning/relearning and change are difficult concepts because they inherent a sense of loss and me being an emotional person, I grieve each and every ending.
Here are a bunch of pictures of the NYE party my friends The Zand Collective and I rang in 2011 at:
Co written and with pictures contributed by brokenbrooklyn
To make it easy on readers we decided to choose a different format this year. We have posted all the bands we have seen in alphabetical order according to bands names. We first discuss what made us decide to check out the band in question and then talk briefly about how they lived up to the hype and our expectations. As expected, we had a great time in Austin and feel even more confidant getting around the city and enjoying it like a local. Austin remains one of our favorite places to visit and SXSW remains the premier music festival in the country. Thanks SXSW for a wonderful time and for making minorprogression a part of your celebration of music and music culture.
For those of you who don’t read Pitchforkmedia religiously and for those of you who don’t go to see bands play in New York City on a regular basis the name Todd P may mean very little to you. Todd P is essentially the premiere DIY music event organizer in New York City and one of the bigger events coordinates of his kind in the country. Though he’s done great things for the music community of New York City and has gone out of his way to get all ages of folks into his shows, some people find it hard to forgive his love/hate taste for bands, a trait that elevates some okay (or not so okay) bands to godly indie heights and neglects other great music artists entirely.
While I am sometimes hit and miss with Todd P’s choices of indie music champions, I can’t get angry at someone for promoting what they like and not promoting what they don’t, even if we differ in opinion. It is hard for me to get my panties in a twist over someone who has put on some of the better music shows I’ve seen since moving to New York and I have more than a handful of memories I’m happy to have that I wouldn’t, were it not for Todd P. His blog is consistently updated and friendly in it’s anonymous layout and he continues to find unique and interesting, if sometimes unnecessarily half hazard spaces to put on live performances, adding a level of uniqueness to what could otherwise be just another indie show. His constant commitment to making live music a special event is perhaps my favorite thing about the way Todd P works and it is also why I look forward to the event he just announced so eagerly.
For the past four years Todd has put on free showcases in Austin during the week of SXSW as a free all ages alternative to the hopelessly expensive and sprawling official festivities, often offering some of the best up and coming bands to be playing the festival officially. This year, he has announced something different, a split from Austin and it’s impersonal feeling festivities and an establishment of a three day festival of his own planning called MtyMx. It’s taking place south of the Texas border in Monterrey Mexico. It’s three days long, at an abandoned drive in movie theater, it only costs 30 dollars, almost 80 bands are playing and most of us will be sleeping in tents and having dirty hipster sex for seventy two hours straight. If this doesn’t sound like a good time to you, you most likely shouldn’t be reading this blog.
The line up so far is reproduced here after the jump
Dear Mr. Fantasy,
play us a tune
Something to make us all happy
Do anything take us out of this gloom
Sing a song, play guitar
Make it snappy
Ok, so I’ve been busy working on other projects and getting ready for a much needed vacation in two weeks to SXSW, which rules!!! I apologize to everyone for not updating as frequently this past two weeks. Here is my official list of free events happening that I plan on attending. I hope to see you there::::::: Continue reading